The ability to think and feel on a conscious level is what makes us humans differ from other species on earth. This is also what Cecilia Damström (b.1988) tries to achieve with her compositions; to make people think and feel.

Born into a multicultural family in Helsinki, languages and the possibility of combining languages, have always appealed to her while composing. With a background as a classical pianist and with theatre as an interest, also harmony, direction, a sense of drama, and expressivity are always present in her music.

Since graduating in 2014 she has constantly been working on commissions for various ensembles and festivals. Her compositions have received several national and international composition prizes 2009-2018. Her fairytale opera Dumma Kungen won the award for “Children opera of the year” in 2018. In 2019 she made her debut with the Finnish National Opera with her school opera Djurens planet.  Her works for orchestra have been performed by the Finnish Radio Symphony Orchestra (2020), Colorado Springs Philharmonic (2020), Kuopio City Orchestra (2019), Jyväskylä Sinfonia (2016 & 2018), Gävle Symphony Orchestra (2018), Helsingborg Symphony Orchestra (2018) and Avanti! (2011) as well as at festivals such as Young Nordic Music Days in Aarhus (2016) and Tampering (2014, 2015 and 2017). Since 2019 she is signed with one of the biggest music publishers in the Nordic countries, Gehrmans Musikförlag.

Damström’s broad catalogue of compositions includes chamber music, choral works, orchestral works as well as two chamber operas. Her music has been performed in Canada, Germany, England, The Netherlands, Spain, Sweden, Denmark, Norway, Iceland and the Czech Republic. Her music is regularly performed in Finland at different concerts as well as at festivals such as Tampere Biennale (2010, 2012, 2014 and 2020), Time of Music (2019), RUSK Chamber Music Festival (composer in residence 2017), VocalEspoo (2014 and 2016), Pellinge Festival (2020), Tampering Festival (2014, 2015, 2017 and 2019), Music By the Sea (2019), Kumaus Festival (2019), Helsinki Winds (2017), Summer Sounds in Sysmä (2015), Summer Sounds in Porvoo (2011) and also at the Kokonainen Festival, where she is composer in residence (2016-2020). Her music has been radio broadcast in Sweden and Germany and is regularly broadcast in Finland.

This season’s 2020-2021 highlights include her debut with the Finnish Radio Symphony Orchestra and with Oulu Sinfonia with the piece Tundo! and her debut with Joensuu City Orchestra who will play the world premiere of Nixus

Her pieces have gotten a lot of media attention, for example her 30 minute global warming themed Requiem for our Earth for female choir, electronics and video projection (by Marek Pluciennik) was called “the most important music I have seen in a long time” by Hufvudstadsbladet. Also the premiere of Nixus got big acclaim in the tabloid Karjalainen: “Damström’s use of the orchestra is impressive. Thus, it is also reminiscent of what a spectacular “instrument” the symphony orchestra is in skilled hands. There is so much gunpowder in Damström’s musical language that there even is to spare. Like it or not, the essential thing is that Nixus is not meaningless music but leaves a mark of remembrance. That is the thing that matters.” After her debut with the Radio Symphony Orchestra the biggest Finnish tabloid Helsingin Sanomat wrote “You could call her the Greta Thunberg of music”.  

Damström studied composition with Doctor Hannu Pohjannoro at Tampere University of Applied Sciences and graduated in 2014. Her master in composition she studied at Malmö Academy of Music for Professor Luca Francesconi. She has also gathered much inspiration by travelling to master classes around Europe with Brian Ferneyhough, Samuel Adler and Kaija Saariaho among others.

Damström is working full time with commissions for musicians, ensembles and orchestras. The Finnish Cultural FoundationThe Swedish Cultural Foundation in Finland and Alfred Kordelin Foundation have supported her artistic work.