Commissioner | Tampere Philharmonic |
Opus | 90 |
Category | symphony orchestra |
Year | 2024 |
Duration | 11 |
Orchestration | 3333-4331-13-pno-harp-strings |
Publisher | Gehrmans Musikförlag |
Program note
We live in an age of constant information overload: the internet and the smartphone have changed our world. Information is travelling faster and faster across the world thanks to today’s technology. It has become easier for anyone to share information, and at the same time, both misinformation and disinformation have started to spread at a rapid pace. I was once naive enough to think that disinformation was largely due to people misunderstanding things and therefore spreading misinformation unwittingly. Misinformation is when you accidentally spread the wrong information because of wrong knowledge. Disinformation is deliberately spreading the wrong information. After reading Jessikka Aro’s book ‘Putin’s Trolls: On the Front Lines of Russia’s Information War Against the World’, I realised how naive that idea was. The Nazi propaganda chief Josef Goebbels is attributed to have said almost 100 years ago, ‘Repeat a lie enough times and it becomes a truth’. Unfortunately, he seems to be right to this day, as can be seen in world politics. Some politicians and political parties deliberately use lies to strengthen their own position of power. In a world where artificial intelligence and ‘deep fake’ can make videos look astonishingly real, it is becoming increasingly difficult to distinguish fact from fiction.
Reading Jessikka Aro’s book “Putin’s Trolls” and Naomi Klein’s book “Doppelganger: A Trip Into the Mirror World” made me realise how misinformation can be used for very fundamental things: dividing people. When people are united, it is much harder to push through initiatives that go against human rights, but if you succeed in spreading lies that divide communities, you can continue with corruption and laws that destroy our planet, without being called out for it, as people are busy arguing whether it is true or not. It came as a surprise to me how some countries spend hundreds of millions of dollars a year on spreading misinformation, which is why I wanted to write this piece; to raise awareness about the world we live in.
The piece ‘Information’ consists from beginning to end of various words in English in Morse code. In addition the notes of each chord are taken from the letters of the word in question. In Western music we have the notes a-h , and in addition I have used the notes chromatically ascending from b (in German called the note h) to continue the alphabet, so that the letter i is the note c, the letter j is the note c# and so on.
Here are the words we hear during the composition (repeated several times):
INFORMATION INFO KNOWLEDGE KNOW INFOTMATION DATA TRUTH DATA
INFORMATION INFO KNOWLEDGE KNOW INFOTMATION
TRUTH LIES FEAR BLAME LIES ANGER TRUTH LIES TRUTH
HOPE EMPATHY HOPE LOVE FEAR LOVE
DATA LIES CONSPIRACY LIES BLAME FEAR CONSPIRACY
ACTION INSPIRATION WAR INSPIRATION PEACE WAR PEACE UNITY UNITED HUMANITY
This piece stands also as the most information-dense composition I have so far created, encompassing over 47,000 notes within a ten-minute span, averaging around 4,700 notes per minute and peaking at over 8,700 notes per minute.
When people use social media, they usually consume a lot of information unconsciously. On social media, disinformation is easily spread through memes and videos without sources. With this composition, I aspire to encourage individuals to critically examine the sources of the information that shapes their worldview.
Reviews & Article
Cecilia Damström’s Information: A Cry of Despair with Room for Hope
The suffocating nature of Information’s overwhelming message is vividly conveyed through its dark, agonized, and relentless character. Blazing winds and blaring brass create a Morse code-like rhythm, while shifting tonalities symbolize a host of contemporary buzzwords.
As a sonic experience, Damström’s intense ten-minute piece immediately draws you in and holds you firmly in its grasp. The music is visceral, tugging at you like a body wracked with convulsions. The notes and harmonies weave into a dense, chaotic tapestry that shakes and unsettles. While it may evoke discomfort, it is undeniably powerful.
Amid the percussion-heavy and weighty expression of the work, Damström introduces a momentary reprieve, a gentle interlude likely carrying words of comfort, such as Peace and Humanity. This transforms the piece into a desperate cry for help, yet one that leaves a glimmer of hope and space for optimism.
Harri Hautala, Aamulehti 30.11.2024
Cecilia Damström’s Masterpiece Information Delves into the Information Flood and Promotes Source Criticism
Cecilia Damström (b. 1988) has long been celebrated for her ability to address societal issues through her music. With Information, performed by Tampere Philharmonic last Friday (29 November 2024), Damström shifts her focus to the influence of information. The composer explores how, particularly in the context of social media, we subconsciously consume vast quantities of data. Her aim with this composition is to encourage listeners to evaluate their sources critically.
In the “Familiarizing with the Works” pretalk session preceding the concert, Damström shared an anecdote that underscores the piece’s demanding nature. Conductor Matthew Halls jokingly reminded the orchestra of the time when Stravinsky’s The Firebird was considered difficult to play—a lighthearted nod to the virtuosic challenges of Information.
Commissioned by Tampere Philharmonic, Information is a testament to Damström’s trust in the orchestra’s abilities, a trust that is well-placed. Few ensembles could rise to the demands of such a dense and complex work with the poise and precision displayed here. Under Halls’s direction, the orchestra delivered a performance that was both technically assured and profoundly moving.
Kikka Holmberg, Kulttuuritoimitus 30.11.2024
Swedish Article:
Hufvudstadsbladet 30.11.2024: Putins disinformation blev musikaliskt stoff för Cecilia Damström
Finnish Article:
Kulttuurihaitari No 3, 2024: Kaikki tasa-arvo on arvokasta
Performances
2024 November 29 – World premiere by Tampere Philharmonic conducted by Matthew Halls – More info